This acclaimed but rather disturbing story from Graham Greene is set in the aftermath of World War 2. A group of boys known as the Wormsley Common Gang meet daily to plan acts of mischief around London. A new member successfully challenges the leader and, in suggesting the destruction of an old man’s stately two-hundred-year-old house, elevates their mischief from harmless fun to wanton vandalism and cruelty. The major theme of the story is class (rebellion against the pre-war materialistic social order, as symbolized by the house). Other themes: innocence, the quest for and misuse of power, cruelty. More…
The End
In this stream-of-consciousness dramatic monologue by Samuel Becket, an elderly man released from an institution against his wishes desperately tries to survive despite declining physical and mental health. He was given clothes and money, but his physical appearance made it hard to find accommodation. When he finally did find a room, he was cheated out of the money. Reduced to begging on the streets and living in squalor among rats and toads, he finally loses the will to go on. Themes include the plight of those who look “different” (rejection, alienation, indignity), resilience, mortality, the emptiness and futility of life. More…
Moths in the Arc Light
In this story by Sinclair Lewis, a successful 1920s businessman becomes infatuated with a secretary he sees from his twelfth story window working in an office across the street. Over time they come to exchange greetings and communicate daily through their windows. When they finally meet, she is not the simple secretary he had expected. She is as driven by corporate success as he is. He finds her a job with better prospects and is surprised when, several months later, she calls him with a request to urgently meet. Themes include infatuation, chauvinism, misogyny, gender stereotypes, ambition, loneliness, depression, sexuality. More…
Lajwanti
Thanks to a 2006 tele-film, this has become Urdu writer Rajinder Singh Bedi’s signature story. Set in the violent upheaval of British India’s 1947 partition, it follows Sunderlal, a Hindu activist whose wife, Lajwanti, is abducted into Pakistan. The ironic descriptions of domestic life (Lajwanti considered vicious beatings from Sunderlal “normal”, and appears confused by the kind treatment of her Muslim captor) highlight traditional Indian attitudes towards women at the time. A second irony is that although Sunderlal campaigns for the rehabilitation of abducted women, he refuses to discuss Lajwanti’s experiences with her, preventing both from finding closure. More…
The Blue Jar
In this Isak Dinesen (aka Karen Blixen) story, a shipwreck leads to a quest. A sailor rescues the daughter of an art-collecting nobleman from a burning ship. They spend nine days alone in a lifeboat, during which they become lovers. The nobleman pays the sailor to return to sea, and she spends the rest of her life sailing the world, ostensibly seeking a uniquely colored Chinese porcelain jar. The jar, a symbol of the woman’s lost youth and time in the lifeboat, becomes her final resting place. Themes: enduring love, class, aging, beauty in art vs. the beauty of nature. More…